Foghat

There is not one person around who knows jazz music that did not hear the name Dizzy Gillespie. Dizzy Gillespie was a composer, singer, jazz trumpet player and bandleader. He along with Charlie Parker was the creator of modern jazz music and bebop. Dizzy also started Afro-Cuban jazz. He had the gift of making new harmonies that were layered and complex. At the time, it was not done in jazz before. He was most remembered for the trumpet he played that was bent. It was accidentally ruined when he was on a job in 1953. Surprisingly, Dizzy liked it because of the way it changed the tone of the instrument.

Dizzy was born John Birks on October 21, 1917 in South Carolina. He was the youngest in the family of nine children. His father was a horrible man who beat his children all the time, and died when dizzy was 10 years old. He taught himself how to play trumpet when he was twelve years old. He won a scholarship to Laurinburg Institute but, dropped out of school and went to Philadelphia to pursue music full-time. He played with Frankie Fairfax and recorded for the very first time in 1937. He then was a part of Cab Calloway’s band, but was criticized for his solos, calling them “Chinese music”. He was thrown out because Cab said that he sent a spitball at him, and Dizzy, angrily stabbed him in the leg with a knife.

Dizzy was a part of Duke Ellington’s, Woody Herman and many other bands. It was with Billy Eckstine’s band where his unique playing fit better than anywhere else. He met again with Charlie Parker. Together they played famous clubs such as Monroe’s Uptown House, and Minton’s Playhouse. This is where jazz music progressed again and bebop was created. In the beginning a lot of people didn’t like bebop. They were used to the old jazz music, and thought the new sound of bebop was a threat and were afraid of it. Dizzy’s style had an effect on trumpeters and the younger musicians that he was able to mentor. Examples of bebop music are “Groovin’ High”, “Salt Peanuts” and “A Night In Tunisia”. Musicians that he taught bebop to were Miles Davis and Max Roach.

Eventually, the band departed, as the audience grew wary of the new jazz music. Dizzy wanted to go big, and tried to create his own big band in 1945 but was not successful with it. He started other small groups and finally put a big band together that was a success. He soloed many times with Jazz at the Philharmonic.

Dizzy proved himself overseas in France when he began his third big band, and did several concerts and albums.
During the 1940′s Dizzy was composing Afro-Cuban music. Afro-Cuban music is a combination of Latin and African music, pop and salsa. The work that is the most well known are “Tin Tin Deo” and “Manteca”. Dizzy was responsible for finding musician Arturo Sandoval while he was on a tour in Cuba researching music.

Dizzy continued to reach people with his music even on television and film. He was on Sesame Street and The Cosby Show. He died in 1993 from Pancreatic Cancer, he was 75 years old. He had two funerals, one was for friends and family and the other funeral was for the public in Cathedral of St. John the Divine. Dizzy Gillespie was a special innovator in jazz and is continually remembered at the New York Bahai Center.

The beginning career of jazz music legend Art Blakey was amazing. He took piano lessons at school. When he was in the seventh grade he played music full-time and was leading a popular band. Not too long after, he started playing drums in the style of such players as Ray Bauduc, Chick Webb and Sid Catlett. He taught himself how to play.
He played with Mary Lou Williams at Kelly’s Stable in 1942. Next, with Fletcher Henderson for the next two years, and he toured with. Art then went to Boston to lead a big band, then joined Billy Eckstine’s band in St. Louis. Art stayed with that band from 1944-1947.

Art was considered to be among jazz music’s finest musicians such as Fats Navarro, Miles Davis and Dexter Gordon. In 1947 when Eckstine’s band broke up, Art started the Seventeen Messengers. He would go on to have several other groups with this same name. He then went to Africa to learn all about Islamic people for over a year. By the 1950′s he performed with Clifford Brown, Miles Davis, Charlie Parker and Horace Silver.

After they performed together many times, he started another group with Horace which included Kenny Dorham, Hank Mobley with the name Jazz Messengers. Horace left a year later. He was the known leader of the band. The Jazz Messengers played hard-bop jazz music. The roots of which were blues music. Hard bop is a mixture of bebop with gospel and soul music. An example of this is his album Moanin’ recorded on Blue Note Records in 1958. They fought hard to keep black people interested in jazz, when the ballroom jazz music disappeared. Many young musicians during the years have been influenced by this style. Jazz musicians such as Keith Jarrett, JoAnne Brackcen, Woody Shaw , Donald Byrd, Delfeayo, Branford and Wynton Marsalis.

In 1971 to 1972, Art world toured with the biggest names in jazz music such as Kai Winding, Dizzy Gillespie and Thelonious Monk. He also performed a lot at the Newport Jazz Festival. The best performance was when he was in a battling performance with Buddy Rich, Max Roach and Elvin Jones in 1974. Art continued to tour nonstop with help from Donald Harrison and Terence Blanchard, along with younger musicians such as Benny Green.

Art never thought of his music as similar to African style, although he did use some of their techniques such as using his elbow on the tom-tom to alter pitch. His trademark, the forced closing of the hi-hat on each second and fourth beat was created in 1950-1951, which many jazz musicians copied.

A major jazz musician and innovative in his drum style, he was unique and performed with power. The way he played was loud and aggressive. The jazz critics basically ignored what he did in the 1960′s. American audiences left him behind in the 1970′s when rock music took over the scene.

He always made time for young jazz musicians, listening to them, and helping them with their jazz music careers.