Foghat

Is Digital Music Really As Amazing As Its Made Out To Be

Is digital music really worth all of its hype that it constantly receives? Perhaps it is, I do not know really, what do you all really think about it and do you feel that it is truly worthy of its obviously amazing recognition? Throughout this article I want to go over a few things with you regarding digital music and provide you with some different questions that you too might want to ask yourself before believing all of this hype about digital music and how its the greatest thing going today.

Digital music is quite unique and yes, it does make things easier and more convenient. However, with all of that said, is it really all that amazing really? What about the old record players that played those huge records? Me myself, I still think that those things were and are still truly unbelievably amazing and deserve all of the hype that they ever received or still are getting even today.

No matter how incredible digital music is, I am still an avid observer of what pertains to good music and what type of device really deserves all of that fabulous talk that has been going on with the whole digital music thing. Digital music does rock but what about when you listened to your all time favorite bands on 8 track players. How freaking awesome were 8 track players? Me personally, I still believe them to be quite an incredible and unique invention. I still remember listening to my moms 8 track player whenever I was just a little girl and I will never forget that either.

For me, things such as those pieces of equipment, they truly deserve hype, they deserve recognition of some sort, they deserve wows and praise and they should and are still being used by so many people believe it or not. The quality might be a little bit or a lot different than from what you receive whenever you are listening to digital music but does the new and improved and incredible digital music have that raw sound that you remember when you listened to an old album playing or whenever your mommy put in her favorite 8 track into her 8 track player? I really, truly, and most honestly, do not believe so.

Too many things are changing and sometimes it can be very exhausting trying to keep up with all of the incredible and scary changes being made. Digital music is just another change in our lives that we are going to have to get used to but some of us might not agree that it is all that it is cracked up to be, believe it or not!

Stick to your guns on this people, you do not have to agree with the majority of people out there, be yourself, you are an individual not a group of people trying to make a choice. Digital music is crystal clear and definitely amazing, but some things are just better left untouched, you know what I mean?

The beginning career of jazz music legend Art Blakey was amazing. He took piano lessons at school. When he was in the seventh grade he played music full-time and was leading a popular band. Not too long after, he started playing drums in the style of such players as Ray Bauduc, Chick Webb and Sid Catlett. He taught himself how to play.
He played with Mary Lou Williams at Kelly’s Stable in 1942. Next, with Fletcher Henderson for the next two years, and he toured with. Art then went to Boston to lead a big band, then joined Billy Eckstine’s band in St. Louis. Art stayed with that band from 1944-1947.

Art was considered to be among jazz music’s finest musicians such as Fats Navarro, Miles Davis and Dexter Gordon. In 1947 when Eckstine’s band broke up, Art started the Seventeen Messengers. He would go on to have several other groups with this same name. He then went to Africa to learn all about Islamic people for over a year. By the 1950′s he performed with Clifford Brown, Miles Davis, Charlie Parker and Horace Silver.

After they performed together many times, he started another group with Horace which included Kenny Dorham, Hank Mobley with the name Jazz Messengers. Horace left a year later. He was the known leader of the band. The Jazz Messengers played hard-bop jazz music. The roots of which were blues music. Hard bop is a mixture of bebop with gospel and soul music. An example of this is his album Moanin’ recorded on Blue Note Records in 1958. They fought hard to keep black people interested in jazz, when the ballroom jazz music disappeared. Many young musicians during the years have been influenced by this style. Jazz musicians such as Keith Jarrett, JoAnne Brackcen, Woody Shaw , Donald Byrd, Delfeayo, Branford and Wynton Marsalis.

In 1971 to 1972, Art world toured with the biggest names in jazz music such as Kai Winding, Dizzy Gillespie and Thelonious Monk. He also performed a lot at the Newport Jazz Festival. The best performance was when he was in a battling performance with Buddy Rich, Max Roach and Elvin Jones in 1974. Art continued to tour nonstop with help from Donald Harrison and Terence Blanchard, along with younger musicians such as Benny Green.

Art never thought of his music as similar to African style, although he did use some of their techniques such as using his elbow on the tom-tom to alter pitch. His trademark, the forced closing of the hi-hat on each second and fourth beat was created in 1950-1951, which many jazz musicians copied.

A major jazz musician and innovative in his drum style, he was unique and performed with power. The way he played was loud and aggressive. The jazz critics basically ignored what he did in the 1960′s. American audiences left him behind in the 1970′s when rock music took over the scene.

He always made time for young jazz musicians, listening to them, and helping them with their jazz music careers.

The Jazz music sensation began to rub off on other parts of the world which encourages the experimentation of melding their familiar sounds with the essence of Jazz. In Europe’s country in the Region of France came the Quintette Du Hot Club de France who was responsible for the making of the early “Gypsy Jazz”.

The Belgian guitarist Django Reinhardt created gypsy jazz by mixing the style of French Musette which was used in the dance halls, eastern European Folk known as Jazz Manouche, and American swing of the 1930′s. The sound was developed by instruments from the string family which are a steel string guitar, violin, and an upright bass. The atmosphere of the Jazz music is seductive with sudden unpredictable twists, and accelerating rhythms. The French artist Bireli Lagrene plays this unique music with old elements of the past.

Another style of Jazz music that allowed the musicians to express themselves freely was the invention of Avant-garde or free Jazz music. Both of these styles stemmed from the Bebop era, yet produced a relaxed form of harmonic and rhythmic music in the 1940′s and 1950′s. The musicians John Coltrane, Dewey Redman, Charles Mingus, Sun Ra, Sam Rivers, Ornette Coleman and many more were the creators of the free Jazz music. Between the 1960′s and 1970′s the Latin musicians created the Afro-Cuban and Brazilian Jazz Music styles after Bebop musicians Dizzy Gillespie and Billy Taylor cultivated it.

Gillespie and Taylor was influenced by the music of Cuban and Puerto Rican musicians Chico O’farrill, Tito Puente, Chano Pozo, Xavier Cugat, Mario Bauza and Arturo Sandoval. Jazz music expressed in a Latin interpretation was termed Bossa Nova with origins in Samba music which is a mixture of Jazz, classical and pop music from the 20th century. Bossa is a moderate sound of music with Classical harmonic structure from Europe, Samba polyrhythm’s from Brazil and cool music. The tempo of such a work is about 120 beats per minute. The instruments used in this particular sound is nylon stringed guitar, piano, high hat tap of eighths, tapping on the rim of the drum like Sade’s “Sweetest Taboo”, and a vocalist. The sound produced is a new relaxing sound where the acoustic sound of the guitar can lull one to sleep with it’s easy melodic line.

Joao Gilberto and Antonio Carlos Jobim became popular in the sixties with this style of music. The influence of Jazz music returned to the place of its origins in the religious music known as Urban Contemporary Gospel from the spirituals music. Much of spiritual music sung by southern slaves in the past has a haunting dark and mournful sound during the 1800 and 1900′s. The churches know as the sanctified or holy churches took a more happier approach by encouraging member to sing speak their personal testimonies as they celebrated with song and dance.

The sanctified artist Arizona Dranes who was a traveling pastor made recordings that would fit in many musical categories such as blues, and boogie-woogie with the use of Jazz instruments. At the time the Jazz instruments used with religious themed music were percussion and brass instruments.

The essence of the sound of Jazz music is so versatile due to the origins from which it first began. In fact, New Orleans, Louisiana is the place where Jazz first began between 1850 and 1900 by African slaves as well as the freed people of color. The first style of Jazz music was known as Dixieland.

In Africa from the Middle to Central to the West, one can hear the intricate rhythmic improvisation of the percussive instruments that is often heard with Jazz Music. These rhythms combined with the American Spirituals, Hymns, Blues, and the blue grass hillbilly musical sounds created a type of sound the originated in Jazz music. However, the music was just a peculiar sound without a particular title to call it fifteen years later in 1915. The great pianist Earl Hines born in 1903 played this type of music before the title Jazz became an official style of music. The word “Jazz” which was formerly spelled as “Jass” has it’s origins as a type of American slang used to describe the sound of Jazz music.

It is the sound of Jazz music that began as an offspring from the origins that created this music. In the beginning of the century the instruments used in Jazz music were European percussion, brass and woodwind instruments primarily for the military marching or dance bands.

Moreover, these instruments were used in the funeral marches in the deeper party of the southern area and well as the northern. The essence of the origins of Jazz music finally became developed into it’s own style with an original shape. In addition, origins of Jazz music expanded the style to the point where it cannot be defined as pure folk music even when some of its roots began there.

Once the education system included the study of music to train musicians in a formal setting it paved the way for many to learn the techniques to create music from the heart. The importance of the origins of Jazz music is to learn all about the sound that many have fell in love with. Jazz music represents freedom to create color and sound that can be interpreted best by the performers and composers who create this style of music. The origins of Jazz music has been a subject worth debating over when it comes down to labeling it a particular style. Duke Ellington himself explained it as “It’s all music” due to the fact that the music has no particular structure or form it has to take.

Jazz music is not a simple style that can easily be defined except as free music that can easily meld into other styles of music to take it to another level. Jazz music itself is an innovation of African, Impressionist, Spiritual, Hymnal, Blues and Blue Grass hillbilly music simultaneously combined into a music masterpiece. The essence of the sound of Jazz music comes from the different musical elements from each part its origins as putting pieces of a puzzle together into one cohesive entity.

There is nothing more exciting that masses of Jazz lovers all in the same place competing in a competition to showcase the skills they have honed. High school educators all around the country unite at different location to enter their vocal Jazz ensembles, Jazz Bands, Jazz Orchestra’s in a competition to represent their schools. All who enter this Jazz competition have been preparing and working hard at learning the music most of the school year.

The music educators gather a small stack of repertoire that will really make their students stand out as unique. The key to performing for the Jazz competition is to know the music, and express it exactly the way the teacher has taught them to do. The truth of the matter is that all Jazz singers should sing out , and not hold back unless the teacher motions for you to do so. All the instrumentalist should follow the music and shape the sound. Jazz music is an expression that should come as a personal interpretation of the piece. After all, how do the winners in the Jazz competitions exist if the right music and interpretation of the musicians did not exist?

Fortunately, the successful Jazz Group must possess something that allows them to feel at ease with showing soulful emotion with the instrument of voice. When every member does the same thing it makes the most magical atmosphere of music that would send chills up the spine. One can play the piece of music plainly as written, or one can perform the music as written shaping it into something beautiful. Emotion should always be involved with music performance. Moreover, the music performed in Jazz competitions should be believable to the listeners.

Meaning, if you do not feel the music no one else will feel it. Therefore, a performance without emotion is dull and uninteresting. If emotion is something hard to grasp at anything in your life, you should try the Mr. Holland’s Opus strategy.

There was a girl who could not play her instrument the way she wanted to. He told her in the film to think of something that means a lot to her. She thought of that and was able to perform. If the piece you are playing does not move you personally you might find it hard to perform. However, if you are familiar with what the music is about it will be easier to interpret it. For instance, “Georgia On My Mind” written by Stuart Gorrell and Hoagie Carmichael, one may have never traveled to the state of Georgia. Nevertheless, the music is an expression of adoration for the state of Georgia.

All students participating in high school Jazz competitions should use that emotion to the fullest when performing. In other words, think of something you adore and perform with that though in mind. The thought can be a person, a place or even an object that you hold dear. Be prepared to shine in high school Jazz competition, and feel the music from your heart. It wouldn’t hurt for the teachers to choose the right music to show off your talents.

If you enjoy the idea of learning the guitar and you visualize yourself sitting down and playing your favorite songs for your own enjoyment, acoustic guitar tabs give you the possibility of realizing your dream. You can pick up an acoustic guitar any time of the day or night and play without disturbing your family or neighbors. Some people even play the acoustic guitar while the family is watching TV in the same room!

Tablature, or tab, is the ideal way for any beginner guitar player to learn or for a more seasoned guitarist to learn new material quickly. A basic definition of guitar tab is a diagram showing the guitar strings with the frets where the guitarist is to play the notes indicated by numbers. Quite often a guitarist approaching a new piece of music will struggle with conventional music notation whereas tab is a quick and easy way of getting the feel of a new piece. Also a pianist or other musician can look at a piece of guitar sheet music and play it right away but would have no hope of playing from guitar tab because it is only written for one instrument. Another limitation of guitar tab is that you won’t be able to learn the rhythm from it. You will need a strumming pattern diagram or, having heard the song before, have some idea of how to approach the playing of the rhythm. If you are prepared to live with these limitations tablature will be a great tool for you to learn your favorite songs quickly.

When you search the internet for acoustic guitar tab what kind of music can you expect to find? Well, the variety is astonishing. Basically acoustic guitar tab is written with the idea of the guitar supplying the basic accompaniment for the song. So if you are a singer wanting to interpret the lyrics, your interest in the guitar arrangement may be slight. The second thing acoustic guitar tab usually gives you is the notes for any distinctive melody or riff in the song – music that people recognize before they hear the words being sung. A simple example of this is the few notes repeated throughout the record of “Something” by The Beatles. Of course you are quite free to leave out or change any music to make the arrangement your own.

Acoustic guitar tabs are often fingerstyle arrangements of songs. These arrangements will not be readily available in music stores or the usual sources of sheet music on the internet. Fingerstyle arrangements can give you some added depth to your guitar playing even if you don’t utilize all the techniques shown in the tab. Finally there is one advantage to using acoustic tab for electric guitar players. You can learn the muisc for the song without having to set up your guitar and amp. You can work on arranging your song for electric guitar once you know the chords and the basic structure.

I hope I have given you something to think about if you have not given tabs for acoustic guitar much of a look so far. If you look around you will be quite amazed at the range of popular – and obscure – music available.