Foghat

The beginning career of jazz music legend Art Blakey was amazing. He took piano lessons at school. When he was in the seventh grade he played music full-time and was leading a popular band. Not too long after, he started playing drums in the style of such players as Ray Bauduc, Chick Webb and Sid Catlett. He taught himself how to play.
He played with Mary Lou Williams at Kelly’s Stable in 1942. Next, with Fletcher Henderson for the next two years, and he toured with. Art then went to Boston to lead a big band, then joined Billy Eckstine’s band in St. Louis. Art stayed with that band from 1944-1947.

Art was considered to be among jazz music’s finest musicians such as Fats Navarro, Miles Davis and Dexter Gordon. In 1947 when Eckstine’s band broke up, Art started the Seventeen Messengers. He would go on to have several other groups with this same name. He then went to Africa to learn all about Islamic people for over a year. By the 1950′s he performed with Clifford Brown, Miles Davis, Charlie Parker and Horace Silver.

After they performed together many times, he started another group with Horace which included Kenny Dorham, Hank Mobley with the name Jazz Messengers. Horace left a year later. He was the known leader of the band. The Jazz Messengers played hard-bop jazz music. The roots of which were blues music. Hard bop is a mixture of bebop with gospel and soul music. An example of this is his album Moanin’ recorded on Blue Note Records in 1958. They fought hard to keep black people interested in jazz, when the ballroom jazz music disappeared. Many young musicians during the years have been influenced by this style. Jazz musicians such as Keith Jarrett, JoAnne Brackcen, Woody Shaw , Donald Byrd, Delfeayo, Branford and Wynton Marsalis.

In 1971 to 1972, Art world toured with the biggest names in jazz music such as Kai Winding, Dizzy Gillespie and Thelonious Monk. He also performed a lot at the Newport Jazz Festival. The best performance was when he was in a battling performance with Buddy Rich, Max Roach and Elvin Jones in 1974. Art continued to tour nonstop with help from Donald Harrison and Terence Blanchard, along with younger musicians such as Benny Green.

Art never thought of his music as similar to African style, although he did use some of their techniques such as using his elbow on the tom-tom to alter pitch. His trademark, the forced closing of the hi-hat on each second and fourth beat was created in 1950-1951, which many jazz musicians copied.

A major jazz musician and innovative in his drum style, he was unique and performed with power. The way he played was loud and aggressive. The jazz critics basically ignored what he did in the 1960′s. American audiences left him behind in the 1970′s when rock music took over the scene.

He always made time for young jazz musicians, listening to them, and helping them with their jazz music careers.

The Jazz music sensation began to rub off on other parts of the world which encourages the experimentation of melding their familiar sounds with the essence of Jazz. In Europe’s country in the Region of France came the Quintette Du Hot Club de France who was responsible for the making of the early “Gypsy Jazz”.

The Belgian guitarist Django Reinhardt created gypsy jazz by mixing the style of French Musette which was used in the dance halls, eastern European Folk known as Jazz Manouche, and American swing of the 1930′s. The sound was developed by instruments from the string family which are a steel string guitar, violin, and an upright bass. The atmosphere of the Jazz music is seductive with sudden unpredictable twists, and accelerating rhythms. The French artist Bireli Lagrene plays this unique music with old elements of the past.

Another style of Jazz music that allowed the musicians to express themselves freely was the invention of Avant-garde or free Jazz music. Both of these styles stemmed from the Bebop era, yet produced a relaxed form of harmonic and rhythmic music in the 1940′s and 1950′s. The musicians John Coltrane, Dewey Redman, Charles Mingus, Sun Ra, Sam Rivers, Ornette Coleman and many more were the creators of the free Jazz music. Between the 1960′s and 1970′s the Latin musicians created the Afro-Cuban and Brazilian Jazz Music styles after Bebop musicians Dizzy Gillespie and Billy Taylor cultivated it.

Gillespie and Taylor was influenced by the music of Cuban and Puerto Rican musicians Chico O’farrill, Tito Puente, Chano Pozo, Xavier Cugat, Mario Bauza and Arturo Sandoval. Jazz music expressed in a Latin interpretation was termed Bossa Nova with origins in Samba music which is a mixture of Jazz, classical and pop music from the 20th century. Bossa is a moderate sound of music with Classical harmonic structure from Europe, Samba polyrhythm’s from Brazil and cool music. The tempo of such a work is about 120 beats per minute. The instruments used in this particular sound is nylon stringed guitar, piano, high hat tap of eighths, tapping on the rim of the drum like Sade’s “Sweetest Taboo”, and a vocalist. The sound produced is a new relaxing sound where the acoustic sound of the guitar can lull one to sleep with it’s easy melodic line.

Joao Gilberto and Antonio Carlos Jobim became popular in the sixties with this style of music. The influence of Jazz music returned to the place of its origins in the religious music known as Urban Contemporary Gospel from the spirituals music. Much of spiritual music sung by southern slaves in the past has a haunting dark and mournful sound during the 1800 and 1900′s. The churches know as the sanctified or holy churches took a more happier approach by encouraging member to sing speak their personal testimonies as they celebrated with song and dance.

The sanctified artist Arizona Dranes who was a traveling pastor made recordings that would fit in many musical categories such as blues, and boogie-woogie with the use of Jazz instruments. At the time the Jazz instruments used with religious themed music were percussion and brass instruments.

The essence of the sound of Jazz music is so versatile due to the origins from which it first began. In fact, New Orleans, Louisiana is the place where Jazz first began between 1850 and 1900 by African slaves as well as the freed people of color. The first style of Jazz music was known as Dixieland.

In Africa from the Middle to Central to the West, one can hear the intricate rhythmic improvisation of the percussive instruments that is often heard with Jazz Music. These rhythms combined with the American Spirituals, Hymns, Blues, and the blue grass hillbilly musical sounds created a type of sound the originated in Jazz music. However, the music was just a peculiar sound without a particular title to call it fifteen years later in 1915. The great pianist Earl Hines born in 1903 played this type of music before the title Jazz became an official style of music. The word “Jazz” which was formerly spelled as “Jass” has it’s origins as a type of American slang used to describe the sound of Jazz music.

It is the sound of Jazz music that began as an offspring from the origins that created this music. In the beginning of the century the instruments used in Jazz music were European percussion, brass and woodwind instruments primarily for the military marching or dance bands.

Moreover, these instruments were used in the funeral marches in the deeper party of the southern area and well as the northern. The essence of the origins of Jazz music finally became developed into it’s own style with an original shape. In addition, origins of Jazz music expanded the style to the point where it cannot be defined as pure folk music even when some of its roots began there.

Once the education system included the study of music to train musicians in a formal setting it paved the way for many to learn the techniques to create music from the heart. The importance of the origins of Jazz music is to learn all about the sound that many have fell in love with. Jazz music represents freedom to create color and sound that can be interpreted best by the performers and composers who create this style of music. The origins of Jazz music has been a subject worth debating over when it comes down to labeling it a particular style. Duke Ellington himself explained it as “It’s all music” due to the fact that the music has no particular structure or form it has to take.

Jazz music is not a simple style that can easily be defined except as free music that can easily meld into other styles of music to take it to another level. Jazz music itself is an innovation of African, Impressionist, Spiritual, Hymnal, Blues and Blue Grass hillbilly music simultaneously combined into a music masterpiece. The essence of the sound of Jazz music comes from the different musical elements from each part its origins as putting pieces of a puzzle together into one cohesive entity.

There is nothing more exciting that masses of Jazz lovers all in the same place competing in a competition to showcase the skills they have honed. High school educators all around the country unite at different location to enter their vocal Jazz ensembles, Jazz Bands, Jazz Orchestra’s in a competition to represent their schools. All who enter this Jazz competition have been preparing and working hard at learning the music most of the school year.

The music educators gather a small stack of repertoire that will really make their students stand out as unique. The key to performing for the Jazz competition is to know the music, and express it exactly the way the teacher has taught them to do. The truth of the matter is that all Jazz singers should sing out , and not hold back unless the teacher motions for you to do so. All the instrumentalist should follow the music and shape the sound. Jazz music is an expression that should come as a personal interpretation of the piece. After all, how do the winners in the Jazz competitions exist if the right music and interpretation of the musicians did not exist?

Fortunately, the successful Jazz Group must possess something that allows them to feel at ease with showing soulful emotion with the instrument of voice. When every member does the same thing it makes the most magical atmosphere of music that would send chills up the spine. One can play the piece of music plainly as written, or one can perform the music as written shaping it into something beautiful. Emotion should always be involved with music performance. Moreover, the music performed in Jazz competitions should be believable to the listeners.

Meaning, if you do not feel the music no one else will feel it. Therefore, a performance without emotion is dull and uninteresting. If emotion is something hard to grasp at anything in your life, you should try the Mr. Holland’s Opus strategy.

There was a girl who could not play her instrument the way she wanted to. He told her in the film to think of something that means a lot to her. She thought of that and was able to perform. If the piece you are playing does not move you personally you might find it hard to perform. However, if you are familiar with what the music is about it will be easier to interpret it. For instance, “Georgia On My Mind” written by Stuart Gorrell and Hoagie Carmichael, one may have never traveled to the state of Georgia. Nevertheless, the music is an expression of adoration for the state of Georgia.

All students participating in high school Jazz competitions should use that emotion to the fullest when performing. In other words, think of something you adore and perform with that though in mind. The thought can be a person, a place or even an object that you hold dear. Be prepared to shine in high school Jazz competition, and feel the music from your heart. It wouldn’t hurt for the teachers to choose the right music to show off your talents.